Interview with G. Wells Taylor

G. WELLS TAYLOR was born in Oakville, Ontario, Canada in 1962, but spent most of his early life north of there in Owen Sound where he went on to study Design Arts at a local college. He later traveled to North Bay, Ontario to complete Canadore College’s Journalism program before receiving a degree in English from Nipissing University. Taylor worked as a freelance writer for small market newspapers and later wrote, designed and edited for several Canadian niche magazines.

He joined the digital publishing revolution early with an eBook version of his first novel When Graveyards Yawn that has been available online since 2000. Taylor published and edited the Wildclown Chronicle e-zine from 2001-2003 that showcased his novels, book trailer animations and illustrations, short story writing and book reviews alongside titles from other up-and-coming horror, fantasy and science fiction writers.

Still based in Canada, Taylor continues with his publishing plans that include additions to the Wildclown Mysteries and sequels to the popular Variant Effect series.

1.      You’re a horror writer. What scares you?
The knowledge that civilization is only a thin veneer.

2.      Who were the writers who introduced you to horror?
Mary Shelley, Bram Stoker, Robert E. Howard, Rod Serling, Ray Bradbury and Stephen King among others.

3.      What are the scariest supernatural creatures?
Ghosts.

4.      Did you write stories as a child? Were you encouraged to write?
I read comic books when I was a kid and learned some of the drawing basics by copying pictures of my favorite superheroes and monsters. Later I began creating my own characters and writing stories about them. My mother who was a teacher read these and encouraged me to write more. She was also a fan of genre fiction and we shared novels and talked about authors and books.

5.      What was your first publishing credit?
My high school English teacher produced a play I wrote as a class project and entered it in a countywide drama festival where it won the special adjudicator award for promising new writer. While it wasn’t a paid gig, it sure encouraged me to take my writing more seriously.

6.      Your trilogy, DRACULA OF THE APES, must have involved an enormous amount of research. I was particularly impressed by how well you managed to imitate 19^th century storytelling (in all the best ways). What did you do to prep for writing that saga? In preparation for writing Dracula of the Apes, I read fiction and genre novels from the era, and re-read the source books until I was dreaming them. So far as historical references and setting, I have to thank the local library and the many text, audio and video resources offered online.
Regarding the nineteenth century storytelling style, I love early genre fiction, and studied it in university. The lavish descriptions found in such narratives provide detailed accounts and definitions of the unknown or unfamiliar for audiences that had no access to radio, television or Internet communications. It is perfect for writing about exotic locations, horror and mystery.

7.   

The Variant Effect: Madhouse 1: Ziploc City by G. Wells Taylor

CRANK IT UP!

It’s never been easy working the squads, and in the aftermath of the GreenMourning operation, it’s gotten worse. Friends and colleagues died during GreenMourning, and something essential died with them. So now, everyone’s on edge knowing that the city-wide quarantine and their own efforts aren’t going to be enough if the Variant Effect takes hold of the population and spreads like a wildfire the way it did before.

The extreme psychological stresses experienced by squads had made those rules flexible, as if in homage to the days when the Variant Effect had first appeared, when half the force was drunk most of the time. They called it “cranking” when they used alcohol and drugs in the misguided belief that anesthetizing their nervous systems made them resistant to the Variant Effect.

Science had never proven this to be an effective barrier against infection, while it easily drew a correlation between cranking and absenteeism, insubordination, injury and accidental death.

However, the authorities knew that working the squads was dangerous and psychologically damaging with higher mortality rates than the police services, so members were given leeway for eccentric behavior.

But there were still limits.

And “Beachboy” has reached those limits. 

The Night Ocean by Paul La Farge

H.P. Lovecraft was a complicated guy. For all his influence, he never achieved commercial success in his lifetime. (The author of the Wikipedia article about him suggests that one reason was he lacked the drive to promote himself, which sounds like the dilemma faced by every indie author out there.)
This new novel is, according to its blurb, inspired by the lives of Lovecraft and his inner circle. I'm so there.

I love the cover.

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Joan Didion just published another book. Yay!

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Ginsburg is a tiny woman (5'1") but she is the very embodiment of the Shakespeare quote, "Though she be but little, she is fierce."